From Publishers Weekly
The publication of Tehanu will give lovers of LeGuin's enchanted realm of Earthsea cause for celebration. In Tehanu, LeGuin spins a bittersweet tale of Tenar and Ged, familiar characters from the classic Earthsea trilogy. Tenar, now a widow facing obscurity and loneliness, rescues a badly burned girl from her abusive parents. The girl, it turns out, will be an important power in the new age dawning on Earthsea. Ged, now broken, is learning how to live with the great loss he suffered at the end of the trilogy. Tenar's struggle to protect and nurture a defenseless child and Ged's slow recovery make painful but thrilling reading. Sharply defined characterizations give rich resonance to Tehanu 's themes of aging, feminism and child abuse as well as its emotional chords of grief and loss. Tehanu is a heartbreaking farewell to a world that is passing, and is full of tantalizing hints of the new world to come. Fans of the Earthsea trilogy will be deeply moved.
Friday, March 26, 2010
Friday, March 5, 2010
A Transatlantic Love Affair: Letters to Nelson Algren / Simone de Beauvoir
From Publishers Weekly
This engrossing collection is the first publication in America of the 300-plus letters that de Beauvoir wrote to her lover, Algren (The Man with the Golden Arm), between February 1947 and November 1964. At a time when transatlantic phone calls were rare, de Beauvoir used letter-writing to charm her "beloved Chicago man," to outline her progress on what would become The Second Sex and The Mandarins, and to describe the postwar Parisian intelligentsia surrounding her, Sartre and their monthly, Les Temps Modernes. There is more gossip here than philosophical or political debate. But her detached descriptions of places, events and parties are ultimately more interesting than her often condescending opinions of people and her need to reiterate to Algren how many women are attracted to her. Written in often awkward yet energetically chatty English, de Beauvoir's letters are both guarded and vulnerable. One frustration here is the lack of Algren's voice, although there are some brief summaries of letters or pertinent meetings. If those expecting steamy love letters will be disappointed, this one-sided correspondence provides invaluable primary material for scholars of the Paris intelligentsia and while doing so, reveals a woman alternately feisty, catty, proud and unsure.
This engrossing collection is the first publication in America of the 300-plus letters that de Beauvoir wrote to her lover, Algren (The Man with the Golden Arm), between February 1947 and November 1964. At a time when transatlantic phone calls were rare, de Beauvoir used letter-writing to charm her "beloved Chicago man," to outline her progress on what would become The Second Sex and The Mandarins, and to describe the postwar Parisian intelligentsia surrounding her, Sartre and their monthly, Les Temps Modernes. There is more gossip here than philosophical or political debate. But her detached descriptions of places, events and parties are ultimately more interesting than her often condescending opinions of people and her need to reiterate to Algren how many women are attracted to her. Written in often awkward yet energetically chatty English, de Beauvoir's letters are both guarded and vulnerable. One frustration here is the lack of Algren's voice, although there are some brief summaries of letters or pertinent meetings. If those expecting steamy love letters will be disappointed, this one-sided correspondence provides invaluable primary material for scholars of the Paris intelligentsia and while doing so, reveals a woman alternately feisty, catty, proud and unsure.
Meditations from a Movable Chair / essays by Andre Dubus
From Publishers Weekly
The 1986 highway accident that resulted in Dubus being largely confined to a wheelchair is an event that is by now familiar to readers of his award-winning short stories (Dancing After Hours, etc.) and previous collection of personal essays (Broken Vessels, 1991). In these 25 spare and luminous essays, most of which have previously appeared in magazines like the New Yorker, Harper's and Yankee, the author lingers over experiences past and present, from the everyday trials of life in a wheelchair to his thoughts on being a writer, a divorced Catholic and father. "Song of Pity" combines simmering rage at public indifference to the handicapped with recollections of an earlier time when he was the one pushing a wheelchair. Other essays recall his encounters as a young writer with Kurt Vonnegut and Ralph Ellison in Iowa City, and Norman Mailer, whom he meets at the Algonquin during a whirlwind trip to New York to meet with his editor in 1967. In Dubus's sharply distilled prose, these meditations are as starkly tangible as they are resonant, providing a vision of his own life before and after the accident, a life united finally by a passion for love, life and craft.
The 1986 highway accident that resulted in Dubus being largely confined to a wheelchair is an event that is by now familiar to readers of his award-winning short stories (Dancing After Hours, etc.) and previous collection of personal essays (Broken Vessels, 1991). In these 25 spare and luminous essays, most of which have previously appeared in magazines like the New Yorker, Harper's and Yankee, the author lingers over experiences past and present, from the everyday trials of life in a wheelchair to his thoughts on being a writer, a divorced Catholic and father. "Song of Pity" combines simmering rage at public indifference to the handicapped with recollections of an earlier time when he was the one pushing a wheelchair. Other essays recall his encounters as a young writer with Kurt Vonnegut and Ralph Ellison in Iowa City, and Norman Mailer, whom he meets at the Algonquin during a whirlwind trip to New York to meet with his editor in 1967. In Dubus's sharply distilled prose, these meditations are as starkly tangible as they are resonant, providing a vision of his own life before and after the accident, a life united finally by a passion for love, life and craft.
Beyond the River / Ann Hagedorn
From Booklist
The town of Ripley, located on the Ohio River between the slave state of Kentucky and the free state of Ohio, was the site of clashes between abolitionists and slave hunters long before the start of the Civil War. Hagedorn brings to life lesser-known activists in the abolitionist movement who led double lives in a small town torn up over the issue of slavery. She focuses on the Reverend John Rankin, spurred by religious fervor to become a leading abolitionist, helping escaped slaves travel on to Canada during the early 1820s. Using historical documents, newspapers, and letters, Hagedorn captures a fervent era, when the Missouri Compromise, the invention of the cotton gin, and growing slave revolts all set the stage for roiling debate on slavery. Rankin and his family were part of a network of abolitionists that included Harriet Beecher Stowe and John Parker, a free black man who ventured south to guide slaves to freedom. Readers interested in the history of the abolitionist movement in the U.S. will appreciate this look at unsung heroes of the era.
--Vanessa Bush
The town of Ripley, located on the Ohio River between the slave state of Kentucky and the free state of Ohio, was the site of clashes between abolitionists and slave hunters long before the start of the Civil War. Hagedorn brings to life lesser-known activists in the abolitionist movement who led double lives in a small town torn up over the issue of slavery. She focuses on the Reverend John Rankin, spurred by religious fervor to become a leading abolitionist, helping escaped slaves travel on to Canada during the early 1820s. Using historical documents, newspapers, and letters, Hagedorn captures a fervent era, when the Missouri Compromise, the invention of the cotton gin, and growing slave revolts all set the stage for roiling debate on slavery. Rankin and his family were part of a network of abolitionists that included Harriet Beecher Stowe and John Parker, a free black man who ventured south to guide slaves to freedom. Readers interested in the history of the abolitionist movement in the U.S. will appreciate this look at unsung heroes of the era.
--Vanessa Bush
The Dick Gibson Show / Stanley Elkin
From Library Journal
"Most of Elkin's prose is alive, with its wealth of detail and specifically American metaphors, and the surreal elements in the narrative are tightly controlled," said LJ's reviewer of this odd novel (LJ 6/1/71), which concerns the host and guests of a late-night radio call-in show. Though no doubt tame compared to the daily insanity of the Jerry Springer show, this remains "compulsively readable."
"Most of Elkin's prose is alive, with its wealth of detail and specifically American metaphors, and the surreal elements in the narrative are tightly controlled," said LJ's reviewer of this odd novel (LJ 6/1/71), which concerns the host and guests of a late-night radio call-in show. Though no doubt tame compared to the daily insanity of the Jerry Springer show, this remains "compulsively readable."
Friday, April 3, 2009
Life Before Man / Margaret Atwood
From Kirkus Reviews
If there are such things as "poet's novels," Margaret Atwood writes them. Each of hers has a controlling, spooking metaphor; here the central idea is that today's men and women live in an era that is without the consolations of history, in which old forms are dying out, not to reappear. The actions are unsubtle and desperate, the air bleak, the light almost wholly interior. The pre-history of emotions and social codes here is entropic, using up and discarding modern feelings without ready alternatives. To this end, Atwood leaves no self-doubt uncovered, and there are chapters - it's a book of chapters above all, some of them memorable - in which the characters numbly go through rituals that are as spare and just as poems, veined with their own strange blood. Yet, for all the generosity, such unrelenting social and emotional chaos makes the book very confining: everyone's center is constantly being stirred, the struggles slow and nearly unbearable, until the entire novel comes to seem like one large tar pit. And though this is an effect Atwood no doubt wants, it's one that nevertheless makes for a gooey, close read. Monumentally depressing, thoroughly gifted work from a very special novelist.
If there are such things as "poet's novels," Margaret Atwood writes them. Each of hers has a controlling, spooking metaphor; here the central idea is that today's men and women live in an era that is without the consolations of history, in which old forms are dying out, not to reappear. The actions are unsubtle and desperate, the air bleak, the light almost wholly interior. The pre-history of emotions and social codes here is entropic, using up and discarding modern feelings without ready alternatives. To this end, Atwood leaves no self-doubt uncovered, and there are chapters - it's a book of chapters above all, some of them memorable - in which the characters numbly go through rituals that are as spare and just as poems, veined with their own strange blood. Yet, for all the generosity, such unrelenting social and emotional chaos makes the book very confining: everyone's center is constantly being stirred, the struggles slow and nearly unbearable, until the entire novel comes to seem like one large tar pit. And though this is an effect Atwood no doubt wants, it's one that nevertheless makes for a gooey, close read. Monumentally depressing, thoroughly gifted work from a very special novelist.
New Rules: Polite Musings from a Timid Observer / Bill Maher
From Amazon.com Review
Bill Maher is on the forefront of the new wave of comedians who have begun to influence and shape political debate through their comedy. He is best known not just for being funny, but for advocating truth over sensitivity and taking on the political establishment. Maher first came to national attention as the host of the hit ABC-TV program Politically Incorrect, where he offered a combustible mixture of irreverence and acerbic humor that helped him to garner a loyal following, as well as a reputation for being a controversial bad boy. His new book, the first since his bestselling When You Ride Alone You Ride with bin Laden, brings these brilliantly conceived riffs and rants to the written page. Appropriately titled New Rules, the book will collect some of the best of the rules derived from previously written material and will also contain substantial new material, including some longer form "editorials"--of course with a twist and bite that only Bill Maher can deliver.
Bill Maher is on the forefront of the new wave of comedians who have begun to influence and shape political debate through their comedy. He is best known not just for being funny, but for advocating truth over sensitivity and taking on the political establishment. Maher first came to national attention as the host of the hit ABC-TV program Politically Incorrect, where he offered a combustible mixture of irreverence and acerbic humor that helped him to garner a loyal following, as well as a reputation for being a controversial bad boy. His new book, the first since his bestselling When You Ride Alone You Ride with bin Laden, brings these brilliantly conceived riffs and rants to the written page. Appropriately titled New Rules, the book will collect some of the best of the rules derived from previously written material and will also contain substantial new material, including some longer form "editorials"--of course with a twist and bite that only Bill Maher can deliver.
Subscribe to:
Posts (Atom)